New Score: 1983 Boss DS-1 Distortion

It sounds as dirty as it looks - and as beautiful! I've been told for years that there is no contest between the original Boss DS-1 Distortion pedals made in Japan before 1988 and the ones made in Taiwan thereafter. Now I know for sure. I was fortunate enough to pick this one up at a pawn shop for $35, a very reasonable price, considering they run upwards of $180 on Ebay on a regular basis. Like most pedals from this era, it is not in the best shape cosmetically (dirty, paint-chipped, and a nice hole drilled through the back of the case), but it is fully functional, and sounds like a million bucks.

Made in 1983, this is not the first issue of the DS-1, which had silver screws, a silver thumb-screw to open the battery compartment, and a longer dash in between the 'S' and the '1', putting the 'D' underneath the 't' in Distortion, instead of the 'i'. This one has black screws, a black label, and a black thumb-screw. However, this version of the pedal uses the same Toshiba TA7136AP op-amp as the earlier versions, and, besides the appearance, is identical to the silver screw version.

So far, I've only had a chance to try this baby on a little 1-watt Fender Mini Deluxe, but I figure if it sounds good running through that (and it does, believe me!), it should sound awesome when I plug it into a real amplifier. I can't wait!

Review: ZVEX Super Hard-On

This is the ZVEX Super Hard-On, a combination overdrive/distortion pedal from legendary pedal builder Zachary Vex of Minneapolis, Minnesota. I got this pedal in a trade for a Guyatone TO-2, and I'm happy with the deal, especially since this is one of the earlier versions of the pedal hand-built and hand-painted by Zachary himself.

The sound of this pedal is very versatile, ranging from a very slight boost to a raunchy, balls-out distortion that few pedals can achieve on their own.

With the knob turned down (between 0 and 30%), this pedal resembles a clean boost not unlike an MXR Micro-Amp. Like the Micro-Amp, the Super Hard-On retains the shape of your original signal very effectively, pretty much boosting all frequencies evenly. In front of a tube amp, the effect is similar to a Tube Screamer with the "drive" knob turned down and the "level" knob around 5, resulting in a rich, bluesy tone without too much colouring.

As you turn the lone knob on the Super Hard-On up a little (resulting in the signature "crackle" that the pedal itself will tell you is OK) you start to experience the "Super" overdriven sound that makes this pedal extra special. The only thing I can compare the sound to is 3 or 4 tube screamers plugged into each other, with the drive circuits feeding each other to create a layered and convoluted distorted signal that is a little hard to take, but really satisfying if you are looking for a Hendrix-like tone without resorting to a Ringer or Octaver as a companion to your OD/Distortion.

My major complaint about this pedal is also related to its name: the pedal is so-called because it is super hard on your amp, apparently too hard for my vintage Gibson Gibsonette amplifier, which stopped working a few weeks after I started using this pedal. This is because the output voltage of the pedal is extremely high, causing sensitive circuitry to suffer when it is pummeled by the growling signal coming out of the pedal when the knob is turned up. ZVEX recommends avoiding this issue by keeping the knob turned down a little, but where's the fun in that?

The Verdict: This pedal does what it does with style and flair. As far as OD/Distortion pedals go, this one is great at retaining the integrity of your guitar's tone. However, if you have the means and the space on your pedal board, you are probably better off using a clean boost alongside a distortion pedal, as this will give you more control over the individual characteristics of each.

Price Range:
$150-$250 (some pedals are custom painted, and fetch more $, as do some earlier versions)

Highs:
-Looks awesome!
-True Bypass switch
-Solid construction
-Good signal retention

Lows:-Killed my amp :(
-Sideways construction makes an awkward fit on pedal boards
-No external power jack
-Crackle on the knob (it's OK, but not so nice)

Rating: 5.5/10

Tube Screamers New and Old

Left to right: 1981 TS9, 2008 TS9 Reissue, 1987 TS10, 1995 TS5

Review: Ibanez SM9 Super Metal

This is the Ibanez SM9 Super Metal pedal. Made in the 1980s, this pedal can really capture the sound of 80s rock. But the best part is, it does so much more!

What the Super Metal is, in essence, is two Tube Screamers cascaded into each other. The circuitry uses the same JRC4558D op-amp chips popularized by the 9 and 10 series tube screamers, and found in earlier Ibanez distortion/overdrive pedals such as the OD808 Overdrive and TS808 Tube Screamer.

Many players looking to get crunchy overdrive from a tube amp use two Tube Screamers running into each other. This pedal saves you the trouble.

As an added bonus, you get a 3-band equalizer circuit built in as well, which really helps to shape your distorted tones. Also, like a TS, you get the ability to clean up your sound by rolling off the volume knob on your guitar.

I bought this pedal on Ebay after hearing the sound on an Ibanez DUE300 Multi-effects Unit, and immediately fell in love. The sound is creamy, and makes all your overtones and natural harmonics sing. Furthermore, I noticed that, even with single coil pickups, I got sustain for days! The Attack, Edge, and Punch knobs really make it easy to dial in the perfect shape for your signal.

My favourite thing about the SM9, though, is how it can make a tube amp sound solid-state. This may seem strange, since most people are concerned about making solid-state amps sound more like their valve-driven cousins. I love tube amps - they almost always sound better to me than transistors, but when you're playing Metal or Hard Rock, sometimes you NEED a solid-state amp just to get the right attack, response, and undecaying sustain to make it sound right. The SM9 does just that; it punches up the tubes' response to picking and hammer-ons, and tightens up everything else. (I'm not sure if Eddie used one in the 80s, but he must've had something like it...)

Price Range:
$80-150

Highs:
-Rock solid construction
-Fantastic sound
-Great range of tones
-Cheaper than equivalent boutique pedals
-Beautiful color!

Lows:
-Very noisy with "level" knob cranked
-Minor tone drain when off

Rating: 9/10